My Top 20 Favourite David Bowie Songs
Nearly two weeks ago I woke up and turned on my computer only to be greeted by a headline that I had to read several times to take in. David Bowie was dead at the age of 69 after having cancer for 18 months. It was strange experiencing that level of disbelief at the death of someone I didn’t know. I went on Facebook and started to read the quotes, the lyrics, the tributes, the generic and the specific…I turned it off after about 35 seconds. I saw his son Duncan Jones had confirmed it was true. I left my bed, feeling annoyed at myself. I didn’t know him. It was sad, sure. A great loss. Doubtless. But that was it…
It seemed appropriate to stick on some Bowie as I showered. As soon as the opening strumming of my favourite Bowie song kicked in and the water hit me I started to sob so hard I stopped being able to see.
Now obviously I am ok. Don’t get me wrong. My brief shower cry, followed by getting teary eyed on the train to work after a Bowie song came on when my ipod was on shuffle is not the same as actual grief. Unlike the family and friends of the man, I was able to move on with my week. But there are many ways to feel and my own thoughts on the matter can be summarised thusly:
I didn’t know he COULD die.
I am not ready to live in a Bowieless world.
I don’t want to get too maudlin or personal. I could though. I used to write stories in English about David Bowie coming to rescue me from school on a flying pig. While other kids had posters of Leo Dicaprio from Titanic I had Bowie falating Mark Ronson’s guitar.
In school when I was supposed to be working on other things I wrote Bowie sonnets, Bowie musicals, Bowie films all of which in my head would end with us meeting. I used to cry even imagining this happening. I grew up with his music impacting me in so many ways. I used to play the songs so often. In sickness and in health. From a very young age he was a bonding agent between and my Dad. The last present my Dad ever gave me was a Bowie CD which was both kind and sad for reasons I won’t go into. I used to play these songs with my friends and we would dance around with our socks hanging off our feet.
I remember as a teenager going out with some friends near the beach. They were all drunk when they decided they must have a Burger King. It was a quiet restaurant at about 3 in the morning. We were loud. The staff didn’t look pleased to see us. Then the TV, up in the corner on a shelf, caught my eye. It was playing a special about David Bowie. So I parked myself as close as I could to it and settled in, totally engrossed. So engrossed that I was surprised when about 10 minutes later a very large man forcibly picked me from my chair by the elbow and hurled me towards the door. It turned out one of my friends had tried to surf over the tables using a plank of wood he had found on the beach and had managed to knock over a bunch of chairs while the others were having a fry fight. The Night Manager had had enough and was banning us from his fine establishment effective immediately.
‘Can’t I just-‘ I gestured to Bowie who was wearing a green suit and singing his heart out. The Night Manager looked at the TV and then back at me. He could see I was sober and no trouble…He nearly relented. Then my friend screamed:
‘Em! We have to go! This place is full of rats! Holy shit-there’s one there! Look Em!’
‘Just look at the rat!’
‘Are you pointing at the Manager?’
‘No just look…’
‘Right, you are pointing at the Manager’
‘Cause he’s a dirty big rat!’
‘ALL OF YOU LITTLE CUNTS GET OUT NOW BEFORE I CAVE YOUR HEADS IN! EVEN YOU SUNSHINE…’
The sunshine was aimed at me. I took one last sad look at the TV before slinking out, back into the cold…
The point is: I actually stayed to argue with the guy who had just assaulted me because I wanted to watch David Bowie videos that badly…Ok now I read that back, it is not that profound an anecdote. Sorry for wasting your time.
From a young age I recognised that here was a guy who was not afraid to try new things. David Bowie that is. Not the violent Night Manager at a certain beach side Burger King. There was a newness to every album which felt exhilarating It never felt inauthentic or pandering. He was both a one man hit machine and a great artist at the same time. That is fucking hard to pull off. He looked amazing and yet seemed quite blokey. He didn’t alienate punters but he made the oddballs feel ok about their oddness.
So while it would be easy to wax lyrical about what a unique gem he was let’s get one thing straight: I am talking about the music. The man is not a guy I knew. I don’t call him a hero. He generally came across well in interviews, seemed genuinely funny and as he got older he seemed to grow ever more comfortable in his skin. I remember hearing that when Ricky Gervais first spoke to him on the phone he was blown away by him saying ‘Sorry I’m just eating a banana’ The idea that Bowie eats bananas like the rest of us seemed kind of far-fetched. That level of fame has to be a bit toxic surely?
Recently someone suggested to me that he was the ultimate rebel. I disagree. I feel the more shocking things he did and characters he assumed were all played from a safe place. The looks? Some of them were fun but I don’t believe for a moment that he and Adam Ant and all the rest were coming up with this shit on their own. They had their Malcolm McLarens and their Lindsay Kemps telling the what to wear and how to wear it. The white skinny male musicians ruled the world then and their carefully calculated abandon of social norms was celebrated and accepted by their fans who saw their concerts and bought their records. What did he really have to rebel against?
This I suppose…
When the 80’s hit and suddenly being part of the LGBT community was seen as being dangerous, Bowie was quick to distance himself from the bisexual label he had proudly flaunted previously. In 1983 he declared he was straight and stated that ever saying he wasn’t was the biggest mistake he ever made.
But nobody is perfect. And it comes down to the music. If the music was shit nobody would be talking about him donning heels and dating supermodels. Nobody would care about the size of his cock. He would have been relegated to the footnotes of the glam era if it were not for the fact that the guy knew his way around a guitar. The voice was so distinctive. What it lacked in prettiness it made up for in emotional range. The vocals, the records, the sounds…That is what I wanted to pay tribute to.
I am including cover versions because they count as my favourite David Bowie songs. Because I like his interpretation of the songs better than other versions. I am not including Blackstar because I am not ready to look at that. Also I don’t hit a wide range of his work because…well you know the drill. This is a personal list. But if you have stumbled across this because you want to learn more about Bowie…Just buy the albums. Any off them. All of them. Well, not ALL of them. Actually no fuck it, all of them. But here are a bunch of tracks that I am sneakily including even though they didn’t make my list: Fame, Golden Years, I’m Afraid of Americans, Something in the Air, Jean Genie, Changes, The Man who Sold the World, Diamond Dogs, Thursday’s Child, Seven, Modern Love, Let’s Dance, Suffragette City, Wild is the Wind, Boys keep Swinging, Under Pressure, John I’m Only Dancing…
Oh and I like that time he sang Wake Up with Arcade Fire…
And he produced the Lou Reed classic Transformer:
And when he co wrote Lust for Life with Iggy Pop:
He was really good wasn’t he?
And…I am starting off the list by massively cheating. Sorry.
20. EVERY TRACK ON LOW (Low) Funnily enough. Every track on Low is from the album Low.
In my defence…I don’t tend to listen to these tracks apart from each other. Ever since I was…much, much, much younger than I am now I have listened to Low as one long flowing never ending track. My Dad didn’t have this one on record so I went and bought it in one of those CD shops along with Bowie’s Modern Love and probably the latest B*witched album cause I was a confused little puppy.
From the very first track I was excited. This was Bowie, Jim, but not as I knew it. A great number of the tracks are instrumental only including opener Speed of Life. I was so in even though I had no idea what was going on:
I lost count of the number of times I came home from school, angry and pissed off and rage filled and ready to pluck out the eyes of a baby if it meant I could leave school any earlier (turns out that is not a thing) and I would stick on Low, maybe light a couple of candles…Not to relax. To burn myself to check I could still feel pain. But anyway the point is Low is such a spectrum of moods..The songs are sad, fun, scary, delightful, inspirational and it is just an enjoyable way to spend 40 minutes before you take a deep breath, let go of what is bothering you and add to your book of revenge poetry. That’ll show ’em.
I remember back when I was working for a helpline for young people one of the supervisors asked each volunteer to debrief using a David Bowie album as a framework. NOBODY else got it. Meanwhile I said: ‘I don’t feel LOW after that shift…My computer was fine so I didn’t end up BREAKING GLASS and it went by at the SPEED OF LIFE. Due to the combination of telephone and online work I relied on both SOUND AND VISION…
The Supervisor and I were cracking each other up. It was 2am and everyone else hated us and wanted to go home.
Also, what happened to the carpet???? I guess we’ll never know:
19. All the Young Dudes (All the Young Dudes)
While we’re here: RIP Dale Griffin.
Yes this is primarily a Mott the Hoople song and it is their version I am familiar with. However Bowie wrote this supposedly to keep the band from breaking up due to a lack of success. And he liked it enough that he sang it. too A lot. Also listen to it: It’s a Bowie song through and through. Not to take away from the Mott the Hoople version which I like much better than the studio recording of Bowie singing it.
Bowie claimed to be baffled when it was claimed as an anthem for a disaffected glam youth as he wrote it with the apocalypse in mind. This doesn’t surprise me. A fuck ton of his songs are about the apocalypse.
I have always loved this song. I enjoy a shout along chorus and the lyrics capture a bunch of stuff I can’t numerically speaking be nostalgic for but I am anyway so shut up.
18. Heroes (Heroes)
This is a song that I don’t really enjoy until the ‘I…I will be king’ bit where the vocal suddenly becomes a lot more intense and the whole ‘we can do it’ vagueness of the sentiment begins to come across as kind of desperate and sad. If it was just a song about being a hero, I’d struggle to get behind it. Just listen to his wonderful delivery of ‘And we kissed…as though nothing could fall’
Speaking of which he wrote that bit after witnessing his record producer making out with one of the backing vocalists…However the dude was cheating on his wife. As a result Bowie chose not to comment on who the couple in the song were. But it is not every day your philandering ways are name checked in a Bowie song so the producer took full credit.
Just keep that in mind the next time you try and pretend this is a romantic, triumphant song, won’t you?
17. Ashes to Ashes (Scary Monster and Super Creeps)
I was obsessed with this video when I was a kid because of just how thoroughly I didn’t get it. I remember pressing my nose against the screen wondering what the clown outfit and the fact that the players on either far side kept touching the ground meant…
Reveal your secrets to me…
I love the style of Ashes to Ashes musically and of course the references to previous success Space Oddity. There is something cool about name checking your biggest hit in order to discredit your protagonist as Bowie writes off his astronaut hero as a strung out junkie. Bowie claimed Ashes to Ashes was intended as a nursery rhyme and a kiss off to the 70’s. He also acknowledged the fact that as kids we want to be spacemen but then we grow up and realise even they don’t have it together. Call me a blithering fan girl, but I love it as a concept. It is the Lance Armstrong effect: If someone ever seems too amazing to be true they are probably hiding something. Don’t let anyone tell you who to look up to.
Now I will go back to patiently awaiting the Dolly Parton sequel to I will Always Love You called Actually it Turned out you were Pretty Easy to Get Over.
16. Oh! You Pretty Things (Hunky Dory)
It is a pretty simple piano lead track with a bitching chorus and biting verses, a completely divine snarling beast of a track. I love the references to kids in it as it just rings true especially about ‘Look at your children, see their faces in golden rays, don’t kid yourself they belong to you, they’re the start of the coming race’ Sure it is just another in a series of never ending Bowie songs about the end of the world but don’t all parents have that moment where they realise their kids are not in fact just mini versions of them but their own people who can’t be controlled?
It is worth noting at this juncture that I don’t often enjoy white guy at a piano music especially these days when that kind of shit leads to earnest songs about lost love and found love and round and round the garden like a teddy bear love. But this? This is my jam. It is so well sung and brings me so much joy with each and every listen.
15. Ziggy Stardust (The Rise and Fall of Ziggy Stardust and the Spiders from Mars)
I am not writing that album title again.
Where was I?
Oh yeah. This album is my favourite. I know, I know. What a cliché. If you asked 100 non Bowie fans to name a Bowie album they’d go with this one. It was a commercial success, kid of gimmicky bla bla bla but there are so many treasures within I just don’t care.
This was probably my favourite track as a child. I wrote a story around it about 4 women who meet under weird circumstances and become mates as the world gets attacked by spiders from Mars. One was an actress whose Oscar speech is interrupted by the invasion, one was a clichéd punk character who can eat metal, one was a stress head business woman and one an old homeless lady. The story ended with David Bowie slaying spiders.
Obviously it is actually about the rise and fall of a band and how the lead singer gets too caught up in it…Whatever. It showed rock could be truly beautiful and I will love it forever.
One of my favourite ‘Live’ style album I have is Bowie at the Beeb which features the best of Bowie’s sessions at the BBC. Several of my favourite versions of Bowie songs and indeed any songs are featured on this album. This is by far my favourite cut of Ziggy:
14. Sorrow (Pin Ups)
If I ever did a playlist of my ‘break up’ songs, this would go in the subsection of ‘over it, not over it’ It is easy to dismiss those that hurt you as the spawn of Satan and not worth your time but you know that friend who is always posting quotes on Facebook about how strong they are and how they are holding out for someone who appreciates every little thing about them? This song gets those losers.
You see, winners don’t need to constantly reassure everyone they are fine. They are too busy winning for such shit.
With the violins and the Bowie echoes and his sad mournful cry of ‘with your long blonde hair’ Bowie gets it. You are not ready to move on but you WISH you were.
So this is a cover version but as far as I am considered this is the only version that exists. He just Bowies it up the way only Bowie can. That specific vocal growl on the word sorrow, the over enunciating and the finger clicking sadness and the saxophone, oh the saxophone!
Heartbreak has never sounded more groovy.
13. Space Oddity (David Bowie)
What can I really say? It is a brilliantly imaginative song which was unlike anything before it or since. It is a mini opera, a tour de force, poetry in motion…There is nothing to dislike or pick apart. The vocal is stunning, the lyrics are evocative and the music still sounds spot on even after all these years. It doesn’t date. Hell even the early work of the Beatles seems kind of twee now. But Bowie’s first big single? It could come out tomorrow and still top the charts.
Oh fun fact: It was criticised by many due to the fact it could be interpreted as a pop at Apollo 11 and so the BBC agreed not to play it till Tom Hanks and the others were safely back home.
Major Tom is not so lucky, joining the great Laika going round and round and round…
Like most people, my favourite bit is the melancholy little moment of ‘planet Earth is blue and there’s nothing I can do’ leading in to the clapping…I love clapping. And then the oh so beautiful music swells…Ok it is perfect. Did I mention it is perfect? He could have retired HERE.
I am so glad he didn’t.
12. Lady Stardust (Ziggy etc)
I always loved this song deeply in a way I can’t really bring myself to explain. I recognise why it was not a single like Starman and the like but it holds a special place for me. It is probably written for Marc Bolan of T Rex fame. You don’t need to go that deeply into the lyrics for this: The demo was called a Song for Marc.
It didn’t stop me writing a different plot around it in my childhood bedroom. I had a script called Lady Stardust and everything. Over the years my fantasy casting for the lead role of Lady Stardust has evolved considerably starting with Julian Lennon and ending with Peter Dinklage. I would play the love interest, Emily Browning my best friend, Andy Serkis my Father in a role that would bag him a long overdue Oscar and David Bowie would be so impressed with the script he would cameo briefly…
Well that was the plan.
11. The Bewlay Brothers (Hunky Dory)
The closer to arguably Bowie’s tightest album took a while to sink in the first time I heard it. I stared at my grinning Father in confusion. He nodded reassuringly. It was ok, he was telling me. It was supposed to end like this.
He wasn’t wrong.
Nobody knows what it is about. Some critics decided it was about Bowie’s ill brother, others him being gay (which he wasn’t in the end) Bowie’s take was it was deliberately indecipherable, designed for multiple re listens. Who cares? The ‘Oh we were gone…’ section is one of my favourite moments in any song but the whole thing grips me..It moves me and I don’t need to understand why or where it came from. Oh and when those voices come in…I can’t decide whether to laugh or hide.
10. Five Years (Ziggy etc)
More apocalypse now because that was the kind of dude he was.
It is such a great opener to the album the way the drum beat comes in and then…we are told a story. We as a planet have 5 years left. Well shit. Are you sure Bowie? But the newsreader is crying so…guess so.
Despite some questionable lyrics in the second verse he pulls it back big stylee with one of my favourite lyrics of all time: ‘And it was cold and it rained so I felt like an actor’ He sings with such passion leading into the pub sing along of a closing chorus that leads to our man just shrieking 5 years over and over again as dramatic strings scream at us. Then…then drum comes back.
I appreciate I have just described an abridged version of the song. But as we get deeper into his catalogue I find I have less to say. The stories he tells speak for themselves. They stand up right and exist in the world.
9. Rebel Rebel (Diamond Dogs)
While Diamond Dogs is, in my opinion, not one of the stronger records it has some great moments. Not to mention a deeply disturbing front cover. It was the era of the bright red hair and Halloween Jack. His mentor the performance artist Lindsay Kemp said of the hair: ‘I told him to be extreme but I didn’t mean that extreme!’
Rebel Rebel is an up beat masterpiece that celebrates those who march to the beat of their own drums. It is the phenomenal riff that had Bowie on his knees thanking his muse as he recognised right away it would be upheld as one of the great rock riffs and of course it was this song that cemented him as a pioneer of the glam rock era.
Me? Well it just makes me boogie. And point aggressively at people near by telling them their face is a mess. I love every glorious, glamorous second of it.
8. Life on Mars (Hunky Dory)
When people talk Bowie this one usually comes up pretty quickly. The appeal of a song this pretty is kind of universal and yet it still feels like one for the misfits. It is more storytelling in line with Five Years but it is even more powerful because musically it captures this unknowable majesty that can only come from a truly perfect lead into a chorus. The anticipation is so dramatic and big that you fear the chorus won’t rise to meet it…But boy oh boy does it.
And how about those lyrics? Bowie maintains it was a bad break up song…Huh? I had a teacher at school who enthusiastically cornered me to tell me his theory that it was about a teen pregnancy…which works well for verse 1 but doesn’t go any way to explain why Mickey Mouse is a cow and why the sailors are fighting in the dance hall. It is a mystery to me why it works so well…
Although it did start as being performed to the Sinatra “classic” My Way which you kind of hear. I say “classic” cause I hate that song. Unless it is being sung by Sid Vicious.
Anyway I digress, this is great. It is better than all of your songs. So there.
7. Drive-In Saturday (Aladdin Sane)
Bowie does the 50’s…Yes please. I feel like if David Bowie had been in charge of writing Grease it would have turned out a lot better. He nails the nostalgia of the doo wop era but makes lines like ‘Gee it’s hot, let’s go to bed’ sound so fresh. I love it all but it is the chorus that really breaks me. I love every moment but especially ‘she’s uncertain if she likes him but she knows she really loves him’ Fucking…yes. This.
Also I love the term video-films. Aces. Did they ever really call them that?
I love the back vocals, the sax, I just want to sway and sing and ride in a Cadillac to the diner.
Oh also it was another apocalypse song…Dude really thought the world was going to end huh?
6. Young Americans (Young Americans)
Oh my…How do I start? It is Bowie doing Philly soul with Luther Vandross backing him for added authenticity. The term “plastic soul” was used to describe the sound and Bowie embraced it, acknowledging he was stealing an established sound from the soul singers in the dance halls up and down America. He didn’t invent the style but he sure does play the hell out of it.
But best of all is his use of the backing vocalists. While it is crazy to imagine Vandross backing anyone (Unlike the others he looks directly at the camera when it is on him-he wants to be the star) just listen to how they are used: They are collaborators, not window dressing. They make the song sound so much better than it ever could without them.
This is another story in a song but the specific meaning behind the lyrics has always been lost on me. One of the best nights of my life was loudly singing this during a jam in a London establishment called Jazz after Dark several years ago: I belted the words and phrases and joyful/sad shouts without knowing what I was singing really-I just knew I wanted to break down and cry because the song is everything I want it to be and more. I jump around when it is on. I reach my hands out to try and capture how it makes me feel and bottle it.
5. Kooks (Hunky Dory)
Once upon a time, a kid called Zowie Bowie was born to David Jones and Angie. He later changed his name to Duncan Jones because of course he did. He went on to a win a well deserved BAFTA for his brilliant film Moon. He got teary eyed as he admitted he had finally figured out what he wanted to do with his life. Two weeks ago his Father died.
How strange it must be to know your Dad meant so much to so many, to know so many people in the world stopped and cried for your Parent. Is he touched by it or does he resent it? I don’t know. I suspect I would be ungracious in my grief. I would wish to shut everyone out.
I think of both Duncan and Bowie’s teenage daughter…My heart hurts for them because…well because it is sad. It was always going to be sad.
Kooks is a little love letter to the boy named Zowie. Unlike other lullabies for infants composed by rock Gods, Kooks is neither overly syrupy nor uncomfortably personal (fun game: Guess which two songs I am thinking of there!) It is a sweet invite to…Well you know. Stick with the family and see what happens.
Ok, this entry is painful to write. If it is painful to me God knows how Duncan feels. His Mother, Angie Bowie appears to not be in his life (on learning of David’s death while on a TV show called Big Brother she chose to stay on the show, isolated from her loved ones) Stay in our lovers story indeed…I know a lot of people who frown quite loudly at people who get divorced as if they intended their marriages to implode…Sometimes to love your kids you need to show them you love yourself enough to get out.
But let’s stay positive. David captures some charming details about early parenthood and promises his son that if the homework sucks they will just burn it and escape in the car..
Nope…Now I’m crying.
Ok it is a beautiful song and I am sorry your Dad is dead Duncan. I hope you are ok.
Let’s leave it there.
4. Starman (Ziggy etc)
This was the first one.
The song that used to send me to sleep when I was sick. The track I turned to as I gazed out the window wondering what my life would become. The track I would perform for my appreciative Father as he stood in his door frame chain smoking and sipping glass after glass of whiskey. His death before the age of 60 was as surprising as it was shocking.
Basically, this was my introduction to the Master. I believed it. I breathed it. I wanted so badly to be rescued by the Star Man. I was the narrator of the song, calling my friend to panicky tell them I saw…something. Then Bowie would beam down and take me away…
That was the plan. I honestly didn’t understand he wasn’t the Starman of the song. I was too young to get that being a musician wasn’t the same thing as being magic.
Except…It totally is.
If you are this good…It is.
3. God Knows I’m Good (Bowie at the Beeb)
I have listed Bowie at the Beeb because that is the version I listen to even though it comes as an album track on the eponymous album that launched him into the stratosphere.
Sure it is dramatic in an almost biblical sense, a story of a poor woman praying that nobody will notice her shop lifting…But it works for me. It comes from his vocal in the beeb version. He is so passionate and so right on and I just can’t get enough of it even if it is a bit OTT in how literal it is. But then, it is just more story telling. It feels kind of personal but Bowie maintained it wasn’t about his poor Mother or anything…Just a woman.
I don’t know why sincerity like this appeals to me in some artists and not in others. Maybe some people can pull of empathy better than others. The likes of Geldof, Collins and their ilk make me cringe because I sense it is self serving, like they are congratulating themselves on noticing suffering. Most people who actually help people, really help people, don’t need to make a big public parade of it to make themselves feel adequate. A song like God Knows I’m Good doesn’t end with a message about how we should all look twice at criminals because some of them are desperate not cruel. Bowie just observes the story in an omnipotent sort of fashion and relays it beautifully.
I love it. I think of it often. When people make mistakes, when I make mistakes, when I fear that nothing I do is ever going to help anyone I remember that deep down most people are decent and we are all trying. All the time.
2. Amsterdam (Bowie at the Beeb)
This is a cover version. It was the B side to Sorrow. And it keeps reminding me that he was the best.
So…here is the thing. The reason I love this performance so much is this: Strip away the glamour and the clout and what remains? A talented bloke with a distinctive voice who could blow anyone away with his talent. Anyone.
If Bowie had remained Dave Jones and had decided to go into plastering or something like that and then one night showed up at a folk night as all the best guitarists do in the end…Picture it for me. Everyone does their turn as is tradition. And it reaches him. He gets out his guitar, tunes it up and gives us a classic sounding sea shanty…
Can you just hear the silence in the pub? No matter what, he was destined to share a gift this good. It was undeniable. If it wasn’t the charts it would have been the clubs. He would have been heard because you can’t not listen.
Even without any of the dog and pony stuff, David could sing and play guitar, And this tour de force show of rancid passion and howling anguish just makes me want to…I want to find him and thank him for being the best.
1. Rock and Roll Suicide (Ziggy etc)
It was always one I loved dearly. But it wasn’t until he died I knew it was my favourite.
It is to my mind, the perfect song both vocally and musically. It is both interesting to my ears and reassuring to my soul.
I love it. I love it. I love it.
It tells me, quite literally that I am not nor will I ever be alone.
I have always loved songs that take you on a journey. This song does that. There are so many shifts and changes, so many subtleties and so much explicit showmanship that it demands repeated listening.
It is heart breaking and uplifting.
Messy and tidy.
Profound and nonsense.
I am sorry that I am struggling, as I always do, to sum up what a song this good means to me. When I hear it, I imagine the band following me down the street as I walk alone in the dark, I hear the build up, I walk a bit straighter, I hold my head higher, I just believe it….
I am not alone.
It is a magnificent feeling to know with certainty that music can genuinely solve that gnawing, gnashing feeling that you are broken and cannot be fixed. It is breathtakingly reassuring to learn that a song this bright and beautiful can take you out of your problems and hold you.
It is all Bowie.
We are not alone.